Venue: Scotiabank Arena, Toronto
Date: August 30, 2025
Reviewer: Jeremy Li
BABYMONSTER, YG Entertainment’s newest girl group, launched the North American leg of their debut world tour with a dynamic and high-energy performance at Toronto’s Scotiabank Arena. Despite being relatively new to the global stage, the group delivered a show that was both polished and emotionally resonant — a clear statement of their rising star power.
Since their debut, BABYMONSTER has gained global attention, earning titles like Billboard’s K-pop Rookie of the Month and a spotlight in Teen Vogue’s “Girl Groups to Watch.” Their online presence is massive, with over 10 million TikTok followers, 8 million on Instagram, and a growing fanbase on X (formerly Twitter).
Performance Highlights
The concert opened with a powerful rendition of “Drip,” instantly igniting the crowd, followed up with fan favorites including “BATTER UP,” “CLIK CLAK,” “LIKE THAT,” and “SHEESH,” each delivered with sharp choreography and infectious energy. While the members appeared slightly nervous at first, they quickly found their rhythm, and their personalities began to shine through.
Solo Stages
Each member had a chance to showcase their individual artistry through solo covers that highlighted their vocal and rap strengths:
RORA – “Someone You Loved” (Lewis Capaldi)
PHARITA – “What Other People Say” (Sam Fischer)
ASA – “Godzilla” (Eminem)
RUKA – “Gwola” (Honey Cocaine)
ASA & RUKA – “Woke Up in Tokyo” (duet)
CHIQUITA – “traitor” (Olivia Rodrigo)
AHYEON – “Dangerously” (Charlie Puth)
These performances offered a deeper look into each member’s musical identity and versatility, adding emotional depth to the overall set.
Tribute to BLACKPINK
BABYMONSTER honored their seniors with confident covers of BLACKPINK’s “Kill This Love” and “As If It’s Your Last.” The performances paid respect to the originals while adding a fresh touch that showcased the group’s own style.
Production & Atmosphere
The show featured sleek production with dynamic lighting, crisp visuals, and smooth transitions that kept the energy high throughout. A fun karaoke segment added an interactive touch, helping maintain crowd engagement from start to finish. One small downside was the constant filming with phones, which occasionally took away from the live experience — a common trend at concerts today.
Conclusion
BABYMONSTER’s Toronto debut was a resounding success. With strong vocals, engaging choreography, and a clear connection to their audience, the group proved why they’re one of the most talked-about rookie acts in K-pop today. Their performance marked not just a milestone in their career, but a promise of even greater things to come.
Rating: ★★★★☆ (4.5/5)