Stratford’s Rising Country Star Janna Leduc Unveils “That’s How,” Off Upcoming Debut Album
Country music has a new voice that’s as real and grounded as the gravel roads she grew up on. Rising artist Janna Leduc, from Milverton and now based in Stratford, Ontario, is gearing up to release her debut album ‘Long Time Comin’’ this fall, with the single “That’s How,” out now.
Janna’s music is unapologetically country. It blends the storytelling heart of the genre with a rock edge that keeps her sound bold and fresh. Her shows aren’t just concerts—they’re rowdy, line-dancing, crowd-singing parties where authenticity and energy are front and centre.
Her new single “That’s How” was recorded in Nashville with an all-star team of musicians, including Andy Leftwich on fiddle and Doug Frasure on drums. It’s a no-nonsense anthem about living life on your own terms, wrapped in a high-energy sound that’s destined to get fans singing along.
In her own words, Janna says:
“That’s How is my no-nonsense country girl anthem. It’s about rolling through life on your own terms. The song is fearless, independent, and unapologetic… just like the people I grew up around.”
The lyrics capture that spirit perfectly: “BBQ eats, shootin skeet / Cut off jeans and cowboy boots / Square body truck lifted up / Push bar in the front / Jim Beam in a Dixie cup / Waylon on the stereo… That’s how this country girl rolls.”
The accompanying music video, filmed during one of the hottest days of summer, turned into a celebration with friends, family, and fans.
“It wasn’t staged,” Janna recalls. “It was real people, real dancing, real fun. That’s the energy I wanted to capture.”
Janna’s career began with her breakout single “Drive,” which introduced her fearless approach and unapologetic style. With “That’s How,” she doubles down on her roots, delivering a track that embodies her authenticity and charisma.
The debut album ‘Long Time Comin’’ will arrive this fall, showcasing Janna’s blend of grit, truth-telling, and heart. Each song is a reflection of her journey from small-town Ontario to recording in Nashville, carrying with it the sounds of both her roots and her future.
From flared jeans and cowboy boots to late-night writing sessions and festival stages, Janna Leduc is doing country music her own way. She’s not chasing trends—she’s building something real, and with “That’s How” leading the charge, she’s ready to make her mark.
Hi, Janna! Good to meet you! Care to introduce yourself to the readers for those not familiar with your music?
Hi! I’m Janna Leduc, a country artist from Milverton, Ontario. At the heart of everything I do is musicianship. I believe in real instruments, live energy, and songs that come from an honest place. My sound blends traditional country storytelling and instrumentation, with a bit of grit and edge. I want people to walk away from my music feeling the same thing I feel when I play it… that mix of joy, truth, and connection that only music can give, and I want them to leave with their boots a little more scuffed up than when they came in.
You describe “That’s How” as your no-nonsense country girl anthem. What inspired you to write it, and how does it reflect the people and places you grew up around in Milverton?
“That’s How” is a special one for me because it was actually written by my good friend Fred Lewis. I usually write my own material, but when Fred came to me with this song, it just felt like he had written my story, and so perfectly. Growing up in Milverton, I was surrounded by people who worked hard, played hard, and didn’t sugarcoat life. “That’s How” came from that spirit. It’s about being independent, standing your ground, and having fun while you’re at it. To me, it’s a reflection of small-town values: grit, honesty, and not being afraid to roll up your sleeves and get a little dusty. That’s the world I grew up in, and it’s who I am.
The single was recorded in Nashville with an all-star lineup of musicians. What did working in that environment bring out in your sound and performance?
Recording in Nashville was a game-changer. The musicians there brought such authenticity and fire to the track. They really understood what I was going for and pushed it even further. What made it extra special is that my producer, guitar player, and bass player are guys I’ve known forever. We went to high school together, played in bands together, and now they’ve made the permanent move to Nashville. It means I get the best of both worlds when I’m recording: that world-class Nashville experience, but with people who feel like family. That comfort and trust gave me the freedom to really lean into the raw, energetic side of my sound for this track.
Your shows are known to be rowdy, line-dancing parties as much as concerts. How do you go about creating that kind of energy on stage?
Honestly, it starts with the band. I’m lucky to play with some of the most incredible musicians, who bring as much energy to the show as I do. We never rely on backing tracks… ever. It’s all live, all real, and that keeps the crowd engaged. I also love interacting with the audience; teaching line dances, pulling people into the fun, getting out into the crowd, and making every show feel like a party we’re all throwing together. It’s not all about me, it’s about the experience. When the crowd gives that energy back, it just explodes.
Looking ahead, what do you hope listeners carry away from “That’s How” and the upcoming album—not just about you as an artist, but about country music today?
I hope people hear “That’s How” and feel permission to be unapologetically themselves. For me, country music has always been about storytelling and truth, and that’s what I want to bring forward. No gloss, no chasing trends, just something real. With the upcoming album, I want to show that country can be gritty, fun, heartfelt, and honest all at once. If listeners walk away feeling like they’ve been seen, or like they’ve had the time of their lives, then I’ve done my job. Country music should always come with a little grit, a lot of heart, and let’s be real—if there’s no fiddle, is it even country?