Kate Schutt Falls Under the Moon’s Spell on Ethereal Jazz-Pop Reverie “Moonsick”

Award-winning singer-songwriter, guitarist, and producer Kate Schutt releases “Moonsick,” an ethereal jazz-pop reverie inspired by one of the most unforgettable moments in Austrian writer Christiane Ritter’s 1934 memoir A Woman in the Polar Night. Blending timeless songwriting with luminous adult contemporary arrangements, the single captures a transcendent encounter with the Arctic landscape, where moonlight becomes so overwhelming, so beautiful, that the boundary between self and nature begins to dissolve.

Drawn from Ritter’s account of overwintering in the remote Svalbard archipelago, “Moonsick” centres on a night after months of darkness and relentless storms when the sky suddenly clears, revealing an immense full moon suspended above snow and ice. The brilliance of the landscape leaves Ritter spellbound, unable to tear herself away from the frozen wilderness despite the danger surrounding her.

“She loses all sense of self in the magical light,” Kate explains. “It is so bewitching that she wants to lose herself. The song is about this dissolving of self, the desire to dissolve into something so brilliant, so elemental, so bright, so pure.”

The title perfectly encapsulates Ritter’s extraordinary emotional state. More than simple admiration, “Moonsick” describes complete surrender to wonder – a rare moment where perception, imagination, and reality blur together beneath an Arctic sky.

That fascination with moonlight also places the song within a much older musical tradition. From “Moon River” and “Moonglow” to “Paper Moon” and “How High the Moon,” generations of songwriters have found inspiration beneath the night sky. Rather than imitate those classics, Kate set out to write what she calls a “newly old-fashioned” song: one that feels timeless while quietly revealing itself to be unmistakably contemporary.

“When I write a song like ‘Moonsick,’ I try to imagine someone like Ella Fitzgerald singing it,” she says. “What kinds of songs would those great vocalists like Ella, like Billie Holiday, like Sarah Vaughn, be singing if they were alive today?”

That philosophy shapes every aspect of the recording. Rather than relying on modern production trends, “Moonsick” unfolds with understated elegance, allowing space, melody, and musicianship to carry the emotional weight. Glenn Patscha (Bonnie Raitt, Ollabelle) creates an otherworldly harmonic landscape through his shimmering keyboard performance, while Adam Levy (Norah Jones, Lizz Wright) delivers a lyrical guitar solo that feels as timeless as the song itself. Dan Rieser’s nuanced drumming adds delicate swing and sparkling texture, giving the recording an effortless sense of motion without ever disturbing its dreamlike atmosphere.

Kate’s connection to Ritter’s memoir stretches back more than a decade. The instant she finished reading A Woman in the Polar Night, she knew two things: she had to see the Arctic with her own eyes, and one day she would write music inspired by Ritter’s remarkable story. Those ambitions eventually led Kate to Svalbard in both 2016 and 2024, where standing inside the same vast landscapes transformed admiration into lived experience.

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