Collingwood Singer-Songwriter Shjaane Glover Breaks Seven-Year Silence with Enigmatic New Single “Effervescence”
After a hiatus from the spotlight dating back to 2018, Southern Ontario singer-songwriter Shjaane Glover makes a captivating return to the music scene with his new single, “Effervescence.” Out now, the track serves as the lead invitation into his upcoming six-song EP, Conjure This. Now based by the bay in Collingwood, Glover’s latest work is an intricate exploration of personal authenticity, blending his robust vocals with soft, reverb-drenched guitar melodies to create what he describes as a “modern narrative of individuality”.
“Effervescence” captures a pivotal moment of transition, dwelling in the in-between space between doubt and hope. Written during a stretch where he had more songs than answers, the track sat in a backlog until the timing felt right to sit honestly inside the shift. This vulnerability is mirrored in the song’s poignant lyrics, where Glover confronts the pressure to adapt to a shifting world: “I can handle all my self-doubt / If it hurts so much, then let it out / See, I tried effervescence”.
The production, led by Craig Smith, emphasizes a steady pulse and a light, atmospheric mood. Recorded at Smith’s studio, the session began with a loose demo that evolved as the team found a compelling backbeat, eventually re-recording vocals and guitars to sit deep inside the groove. The track features a rich instrumental tapestry, including pedal steel and guitar by Smith, drums by Jenna Applewhaite, and a soulful saxophone contribution from Nelson Beattie, all coming together to create a space that Glover describes as foggy and expansive.
Journalists will find a resonant story hook in Glover’s return to the industry after a seven-year absence, a period spent weighing different paths and deciding when to loosen his grip on the noise of the world to trust his own timing. This journey from his roots in Oakville to his current creative sanctuary in Collingwood has allowed his songwriting to emerge as a captivating force, delving into the intersections between societal conventions and personal truth.
Known for a high-energy stage presence that contrasts his soft recorded melodies, Glover is an emerging artist built on the pillars of nature and self-expression. His ability to weave these themes into a cohesive, indie-alternative sound has already positioned him as one to watch in the Canadian indie-folk scene. “Effervescence” is a declaration of presence from an artist who isn’t afraid to let the feeling speak before the meaning catches up.
As Glover prepares for the release of Conjure This, he continues to expand his musical horizons, with additional singles like the title track and “See You Out There” slated for future release. For now, “Effervescence” stands as a bold first step back into the light, offering a hopeful message that even amidst fear and change, one can always drive away the winter’s cold.
Hi, Shjaane! Good to meet you! Care to introduce yourself to the readers for those not familiar with your music?
Hey! I’m Shjaane Glover, pronounced Shane. I write songs. I’m based in Collingwood, Ontario, and I’ve been circling music for most of my life in one way or another. I’m interested in honest songwriting, big vocal moments when they feel right, and creating something that feels real rather than overworked.
You describe “Effervescence” as sitting in the in-between space between doubt and hope. What was happening in your life when you first wrote it, and what finally made you feel ready to release it now?
It’s about that moment where you’re no longer who you were, but you’re not fully who you’re becoming yet. That in-between space comes with a lot of insecurity and uncertainty. When I wrote it, I was experiencing a lot of loss and a lot felt out of my control. The song became a way of sitting with that space instead of trying to rush through it, almost a reminder that it’s okay to be there. I waited until it felt honest to release.Sometimes songs need time to catch up to where you are. I think sometimes they can arrive before you fully understand them. Which can be pretty beautiful and a little scary.
After seven years away from releasing music, what did stepping back teach you about your relationship with ambition, validation, and timing?
The time away shifted my relationship with ambition. I realized I needed to be aligned with why I was creating in the first place. Stepping back gave me perspective, and being in Collingwood, surrounded by a strong creative community, reinforced that things don’t have to move at someone else’s pace. When I returned, it felt quieter and more intentional. The timing felt right because I wasn’t pushing against anything.
How did working with Craig Smith shape the emotional direction of the track? Did he push you somewhere unexpected in the studio?
Definitely. We were emotionally aligned right from the start. He understood where I wanted to take the songs, but he also wasn’t afraid to stretch them. Some of the creative detours we explored weren’t obvious at first to me, but I trusted his instincts, and those moments ended up being some of my favourite parts of the EP.
As you prepare to release the EP, Conjure This, what are you conjuring now that you were not ready to summon seven years ago?
I promise there’s nothing paranormal involved! If anything, I’m conjuring patience. Now I feel more grounded, more intentional. The difference is that I’m not trying to rush the process. I’m letting it unfold.
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