Breaking Barriers and Shredding Stereotypes: Dawn LeFevre’s Novel ‘The Metal Sisters’ Celebrates Female Guitarists in the 1980s Heavy Metal Scene
Unless you were interested in playing the wicked step-groupies in the Cinderella videos, there wasn’t a lot of room for a pair of young women in the heavy-metal scene of the ’80s. Certainly not as musicians in their own right. That’s the daunting landscape that confronts Sapphire and Destiny, the heroines of author Dawn LeFevre’s keenly observed and lovingly rendered period novel, The Metal Sisters.
Inspired by LeFevre’s passion for headbanging music, the book is set in 1985, when burning riffs were everywhere and the allure of dominating the Sunset Strip was overwhelming. Into that maelstrom wade a college-bound honor student and a tequila-soaked bad girl who are united by their love of playing guitar. Can their band climb the mountain of metal to a height that justifies putting their life plans on indefinite hold? Or will poverty, unreliable bandmates, and a palpable lack of label interest make it all go up in smoke?
The book is an affectionate salute to a fondly remembered era, and it’s already being praised for its authenticity and insight. “The vivid portrayal of the 1980s rock scene had a wealth of atmospheric language and immersive touches, and this was beautifully complemented by the well-paced plot filled with universal themes of ambition, friendship, and chasing dreams,” summed up reviewer K.C. Finn for Readers’ Favorite. “Overall, The Metal Sisters is a heartfelt tribute to the power of music and the bonds it forges, and I would certainly recommend it to fans of empowering, entertaining fiction everywhere.”
Growing up in New Jersey (the state that also birthed the seminal record label Megaforce and influential metal DJ Eddie Trunk), LeFevre was the typical horse-crazy girl, except that her barn radio blasted metal, not country music. When she wasn’t horsing around, LeFevre was locked in her room playing guitar along to her ever-expanding album collection. During her undergrad at Cook College of Rutgers University, she realized that her skill set was better suited to scribbling than shredding. A lateral move into reviewing metal albums and writing features for print publications proved a natural fit, and she even managed to get some short stories about lady shredders into publications like The Pacific Coast Journal. Surely a full-length novel on the subject was the next logical step?
Instead, after graduating college with a BS in Animal Science, LeFevre spent the next 13 years training and racing thoroughbred horses in New Jersey, Pennsylvania, and Delaware. She fully intended to finish The Metal Sisters one day, but the 24/7 needs of her equine charges superseded her writing dreams. Only after the South Jersey racetracks had shuttered their doors forever did she once again pick up her pen. She was still driven to write about the things she loved, and the fruit was her first novel, Backstretch Girls, which won the Best Horse Racing Fiction award at the 2021 Equus Film & Arts Festival. Her second novel, Racetrack Rogues, was a finalist for the 2021 Dr. Tony Ryan Book Award. She also published an equestrian-oriented novella and contributed to a horse-racing website. In a further show of her thematic versatility, she even became a wine blogger.
Yet the liberating sound of classic metal had never fully left her internal soundtrack. (So enduring was her devotion that she had full-on married her guitar teacher.) And in the decades since she had mothballed The Metal Sisters, female guitarists had somehow become all the rage. From A-circuit axe goddesses like Nita Strauss to the legion of lipstick-and-leather virtuosos regularly displaying their chops on YouTube and Tik Tok, the clicking of blood-red fingernails on a fretboard was suddenly everywhere. Yet when it came to heavy metal fiction books, the shelves were practically bare. The time for LeFevre to revisit the tale of Sapphire and Destiny was clearly nigh.
“I began to feel that creative hunger to finish the story that had remained close to my heart even after all these years,” she says. “And so, I did. I wrote The Metal Sisters not only for this generation of social-media shredders, but also for those few, brave women guitarists who kicked down the walls back in the ’80s so they could step through.”
These days, LeFevre is kicking down plenty of walls of her own. Even before its release, her new novel had risen to #3 on the Amazon music-books chart and #1 in the metal ranking. Striking while the iron is red hot, she’ll be appearing at the Collingswood Book Festival, being held from 10 a.m. to 4 p.m. on Saturday, October 5, in Collingswood, New Jersey. She’ll be signing copies of all her books, although the focus will obviously be on her latest, long-gestating labor of love. We aren’t promising she’ll sign your guitar too, but it’s a good bet the idea would make her smile.
Get your copy here.