Broken Wolves Mourn Lost Dreams On “The Summons”
Every generation has had to deal with their share of existential threats, and the members of Broken Wolves are no different. With his Toronto-based dark-folk act Broken Wolves, lead singer and guitarist Lennox Campbell-Berzins grapples with the looming threat of climate change and channels his anxieties onto their Medieval-inspired new single “The Summons.”
Led by Campbell-Berzins’s affecting, Nick Cave-esque baritone, “The Summons” sets a gloomy, meditative tone with ethereal backing harmonies, atmospheric synth, and ominous, marching percussion. Meanwhile, the lyrics evoke images of nocturnal unrest and chilly forestal settings that are equal parts unforgiving and beautiful.
We chased it down to the viaduct
The portal to our dreams
Where all the hidden truths that we seek
Are splayed in winding streams
Lay my bones in bondage there
Beneath the naked moon
Set me free my sweetness
And I will join you soon
On the chorus, “The Summons” blossoms into a rich, thudding cacophony of sound, helped along by vox players Aniqa Qadir and Alex Gage (also on guitar), bassist James Atin-Godden, and drummer Matthew Wallace. Despite its grandiose delivery, “The Summons” is utterly haunting in its solemnity.
“The Summons” is taken from Broken Wolves’ debut album of the same name, which Campbell-Berzins first dreamed up in 2016/2017 and later recorded in 2019 at Taurus Recording with Jesse Turnbull, Rogers Communication Center Multitrack Studio with Joseph Shemoun, Jordan Paluck, and Thomas Rapaport, and Blanket Fort Studios with James Atin-Godden.
“I was leading my old project Ruby Cikada… I was hinting at a new project I wanted to initiate that was darker, heavier, and more psych-inspired,” Campbell-Berzins says. “I was writing a lot of darker folk tunes with a hint of medievalism to it, most of which were inspired by my fears and anxieties around climate change. This topic, while maybe subtle or unrecognizable within the music, was one of the major foundations when starting the project. I wanted to talk about an issue that was universal, contemporary and in a lot of ways generational, and one that I thought, wasn’t being addressed by many peers.”