Baby Molly
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Baby Molly shares debut album, All The People You Could Become Are Dying Every Day (Interview)

Baby Molly Releases Debut Album All The People You Could Become Are Dying Every Day – A Raw, Emotional Journey Through Grief and Self-Discovery

Emerging musical artist Baby Molly, known for their unique blend of alternative rock and introspective lyrics, is set to release their debut album titled All The People You Could Become Are Dying Every Day. This album, written and performed by Baby Molly, promises to be a poignant exploration of life’s unpredictability and the impact of unexpected loss.

Recorded in the vibrant musical hub of Vancouver, BC, All The People You Could Become Are Dying Every Day is a nine-track masterpiece that explores the depths of human emotions. The album boasts exceptional mixing by Kyle Black (known for his work with Paramore, State Champs, and more) and mastering by Andrew Downton (credited with Bryan Adams, Dave Grohl, and others).

Inspired by the tragic loss of their father in November 2022, Baby Molly embarked on a creative journey to craft an album that mirrors the rollercoaster of emotions experienced during grief. They deliberately chose the album format to provide listeners with a cohesive and immersive experience, taking them from moments of mania to introspection and self-exploration, ultimately leading to a newfound perspective on life and mortality.

At the core of this album lies a profound exploration of the infinite paths that life could take and how these possibilities gradually diminish as we journey through life. Baby Molly’s contemplation of multiverses, choices, and the fleeting nature of existence adds a unique and thought-provoking layer to their music.

Speaking about the album, Baby Molly shares,

“The people we could become are fading away with each passing day. I’ve pondered the paths not taken and how our choices shape our lives. Losing my dad added another layer to this – the realization that those who raise us are also mortal.”

Care to introduce yourself?

Hello! My name is Liam but I perform under the name Baby Molly. I’m just a lil Canadian emo guy. I grew up in Ontario but live in BC now.

Tell us about the process of recording “Wherever You’re At”?

I originally was inspired to write this song when listening to the band Pinegrove. I loved that they were able to keep my attention over fairly simple chords and minimal instrumentation by telling a unique & interesting story lyrically. I lost my dad unexpectedly a year ago, so I was putting together an album out of all the weird feelings and emotions I felt during the grieving process. I had this weird thought in the back of my mind when I was receiving a deluge of condolences that I might hear from an ex I had in high school because we were each other’s first loves which (at least for me) really sticks with a person. So the combination of the grief and the narcissism that came from thinking someone who is now a stranger would reach out to me was the birth of this exploration into the times in my life when I’ve been horrible, especially as a younger person. 

The whole thing was recorded in my apartment other than the drums and I tried to make it fun by trying to create the effect that people were in the background trying to talk me out of being such a jerk – so that’s the voices in the verses basically calling me a dummy while I deal with my selfishness in the lyrics. 

What’s it like being a musician in Vancouver?

It’s definitely interesting! I was based in Toronto for 10 years and in the Niagara region before that so it’s my first time trying to be a part of a scene outside of Ontario. I moved during the pandemic so, for all I know, it is like this everywhere now but I find that Vancouver is very sterile. I think the price of real estate and the fact that it’s a very small city with not many people means that artists have to get creative. So, while there aren’t many traditional places for local bands to play, I’ve found that there is a vibrant DIY scene with bands playing at stages set up in warehouses, parks, parking lots, basements, etc. I’m still fairly new and I didn’t know anyone when I first got there, so now that I’m meeting people and learning the ropes I’m becoming more and more optimistic about it. 

Who was the first and most recent Canadian artist to blow you away?

The first Canadian artist to blow me away was probably Treble Charger. I first heard their music on the soundtrack of an NHL video game I played as a kid and loved every song that came afterward. I was also obsessed with Attack in Black & Alexisonfire from growing up in Niagara – finding it miraculous to see local bands on Much Music. The most recent Canadian artist to blow me away is probably Snotty Nose Rez Kids’ latest album, it was so youthful, charming, and unique while still being firmly rooted in classic old-school hip-hop.

You’ve been making music for a bit of time now, what’s one piece of advice you can offer to those starting out?

It’s true! I went on my first tour in 2013, over a decade ago. Hard to believe. I tried to write advice to my younger self on this album, particularly on the song “Don’t Forget to Write Home” and since I was writing to a young musician there I’ll just use a lyric from that song as advice for those starting out. 

“Stop being so condescending, open up the curtain, and start the show. There’s always some excuse to maintain. Go find the joy in the pouring rain. Don’t look for reason in the mayhem and always tell your friends that you love them.” Appreciate the people around you! They are what make this life special, no matter how cool or unique you think you are.

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