Megan Nash (She / They) recently celebrated the release of their new LP, Soft Focus Futures, with a video for the album track “Table For One”.
“In September 2020, I did a photoshoot with Aaron Sinclair for the album artwork. Artwork for a record that I thought I was done writing,” says Nash. “The photoshoot inspired what ended up acting as the mission statements for the record; ‘Table For One’ and ‘Table For One Reprise’. In June 2021, we returned to Crescent Park in Moose Jaw, Saskatchewan, and filmed a video for the song that the original photoshoot inspired. It’s a beautiful gift when creativity, collaboration, and quiet reflection can work together to expose a little magic, a little truth.”
Throughout their self-produced sophomore album Soft Focus Futures, Megan Nash mines the death of her marriage for clues that could decode its demise and set her on a path toward some sort of stability in herself. In the process, they achieve a distillation of heartache and its attendant, all-consuming power that arrives like a 100-year flood in blossoming crescendos buoyed by precise poetry evoking unnatural disasters, the tyranny of silence, old dogs, and the isolation of life in the country. The blue hues, unsteady triumph, and emotional grandeur of Soft Focus Futures earn a spiritual kinship with author Elizabeth Smart’s masterpiece, By Grand Central Station I Sat Down and Wept, about Smart’s affair with George Barker. “The water submerges and blends, but I am not dead,” Smart writes about grief and love. “O I am not dead. I am under the sea. The entire sea is on top of me.”
After “Table For One” sets a scene of quiet devastation with a sparse acoustic guitar strum, the slow-building tidal wave of “Artifact” reveals the loneliness of separation’s aftermath: ‘Our love is an island where we used to live,’ Nash sings over the song’s dreamy wash. ‘It was swallowed by the ocean.’ With “My Own Heart”, she seeks a cosmos-sized space in which she’s able to learn to be alone with herself; the more grounded, guitar-fuelled “Coffee” hammers home the less desirable realities of that isolation, like bad dates and the fear that that accompanies being on your own in a creaky old house. With incisive, earthy verse, Nash invokes the particularities of their Prairie home, parsing through childhood memories of her family’s small farm and searching for her place in that lineage with “Another Silent Night”, while using the vernacular of small-town gossip to paint a lonesome rural scene on “Are We Still In Love?” The sonic scope of “Chew Quietly/Clean Slate” looms vast over anxieties about meeting someone new, deploying epic, frenzied breakdowns to communicate inner turmoil. As the curtain closes, Nash is careful to avoid claiming resolution or closure—the nature of those concepts are fickle at best—and instead chooses to let her heartbeat out ‘the poisonous rhythm of the truth.’ But the silence lingering in the exhales intertwined at the end of “Table For One (Reprise)” begins to, maybe, carve out space once again for a great flood of love.
Soft Focus Futures was released on what would’ve been the fourth anniversary of her wedding — November 3, 2021. To build the album’s lush soundscapes, Nash turned to their long-time musical co-conspirators the Best of Intentions, composed of talented multi-instrumentalists Dana Rempel, Darnell Stewart, and Tanner Wilhelm Hale. Additional contributions feature Brady Frank, Dalton Lam, Digawolf, Stacy Tinant, Jenna Nash, Logan Amon, and Megan’s wizened dog Shiloh, to whom she dedicates a poem in the liner notes of the album. Soft Focus Futures was officially engineered by Dana Rempel, but in most cases, because of pandemic restrictions, each contributing player individually recorded their own parts in a collective act of camaraderie that testifies to the closeness of those involved and their faith in the quality of Nash’s work. Despite the distance, Soft Focus Futures is a cohesive creation that sounds as though it was made in the presence of dear friends so close they could breathe on one another. The album was mixed and mastered by Justin Bender at Divergent Sounds Studio.
Nash, who is non-binary and an unabashed Scorpio – uses both she and they pronouns and lives on Treaty 4 Territory. They’ve won and been nominated for numerous awards, including a 2019 JUNO Award nomination for Contemporary Roots Album of the Year for Seeker and 2021 Best of Moose Jaw Award for Best Musical Artist. The recognition back home is in no small part due to her long and winding history of hitting the road, where she’s done international showcases in the United States, the UK, Germany, and Estonia on top of countless gigs in Canada’s small towns and sprawling metropolises. With everyone’s health top of mind on the touring schedule to come, rest assured you’ll be able to see them—and hear Soft Focus Futures live—the minute she’s able to safely hit your town.
In the meantime fans in Saskatchewan can catch Megan performing on the dates below:
November 26th – Regina, Saskatchewan – The Exchange
November 27th – Saskatoon, Saskatchewan – Amigos
March 19th – Moose Jaw, Saskatchewan – Mae Wilson Theatre
I grew up in Alberta, but spent most of my life in British Columbia – I also spent a lot of my summers in Britain as I was lucky enough to have immigrant parents with the capital to go visit our relatives. The amount of time I spent overseas makes it hard for me to say I feel fully Canadian, but it does make me feel typically Canadian as so many of us have mixed parentage. My parents defined another divide in me as I feel inexorably pulled to both science and the art; my father being a doctor and my mother being a school teacher. I studied both in university and now work on making healthcare software during the day, then write/read/draw/paint/dance in my evenings. My global wanderings, my education, and the fact that my appetite for media could be described as ‘voracious’ means my frame of reference is pretty varied. It’s hard to say that I have a favourite music genre, rather I am always seeking sounds that convey a sense earnestness an honesty.