Canadian artist, Jayme Stone is about to release his LP, AWake on August 28, 2020, but first, he has unveiled his single, “Awake Awake”. The single serves as a prescient preview for what’s to come from Stone’s new album as he breaks new ground from folk musician and composer to experimental pop singer and producer.
AWake offers unique tonal palette blends with deft storytelling and disarmingly honest lyrics to create a sonic world both eminently engaging and full of nuance and surprise.
The songs mark a new creative start for Stone, who is best known for his banjo playing and world-wise roots albums like Africa to Appalachia, Lomax Project, and Folklife. Now we hear Stone singing, playing guitar, and OP 1 (a micro-synth, sampler, and sequencer). He captures and sculpts sounds—felted piano, bass clarinet, analog synths, and sequencers—until they’re hazy and unrecognizable.
“For years I knew I had these songs in me,” Stone shares. “Like I had a premonition that some future me was driving backwards in time, full of songs, and at some point, we’d meet.”
Check out “Awake Awake” below and find out more about Jayme via our Five Questions With segment.
Care to introduce yourself to our readers?
I’m a musician, composer, songwriter, producer, and instigator from Toronto, now living in Colorado. The banjo’s been my primary instrument for years but these days I’m more often playing electric guitar, writing songs, and producing. I’ve made several world-wise roots music records like Africa to Appalachia (after spending three months in Mali) and the Lomax Project (re-imagining old field recordings). My new album, AWake, is a total departure. It’s full of synths and samples and focuses on my lyrics and singing. Half the songs were written in the wake of my brother’s sudden death three years ago.
Tell us a bit about your music and writing style.
The songs on my new album were mostly written on instruments I don’t really play. I wanted to send myself into a new orbit so I wrote on tenor guitar, piano, and OP-1 (a micro-synth, sampler, and drum machine). I first find some sonic idea that bewitches me. A couple of entrancing piano chords or a pitched-up sample of me singing. Once there’s a seed, I’ll start singing whatever words and melodies come to me. I then go back and write out the phrases that catch my ear and there’s usually a line, a hook, a title, or a theme to develop. That process can be instantaneous or slow burn over months. It’s part method, part mystery.
Do you have any upcoming shows? For someone who has yet to see you live, how would you explain your live performance?
Shows? Shows! Oh, how I miss those. I’m of course not touring at all these days. There are a couple of festivals on the books for 2021 but I’m not ready to book anything else at the moment. The future is still too blurry. Instead, I poured my creative energy into making an online home for my new album—an immersive website with lyrics, videos, early drafts of songs, and a visual counterpoint to the music. Liner notes for the digital age. I worked with an incredible designer named Shannon Jager who turned this vision into pixels. It launches on August 28 when the album drops.
If you were asked to suggest only one of your songs for someone to hear, which would it be?
Hard to say but I’m pretty stoked about the song “My Woman’s a Nation.” I wrote it for my wife. It’s a hip-hop song about long-term love. We need more of those.
Canadian Beats is all about Canadian music, so who are your current favourite Canadian bands/ artists?
I love Bahamas, Feist and Leif Vollebekk.
I’m Jenna, and I am the founder and editor of Canadian Beats. I have had a strong love for Canadian music, which started many years ago. I have a passion for promoting these talented Canadian bands and artists, and that’s how Canadian Beats came to be. I am so proud of what it has become over the last few years, with many talented music lovers and writers coming together to spread the word of Canada’s music.